This dress is somewhat less modern than the other pieces, and slightly ’70s. I wanted to show that I can actually cut garments to fit the figure, not just drape over it.
The first go was a funny fit. Somehow I lost about 4cm on the chest and it only just closed. I also needed to enlarge the armholes.
Take 2 was much better. I also flared the skirt and embroidered on of the waist panels. Note the mis-matched buttons. I kept that. 🙂
The embroidery looks somewhat Scandinavian, which is good because Scandinavia was part of the inspiration for #TheShire. It’s not perfectly symmetrical, but Tolkein’s illustrations were very clearly hand-done, which is part of their charm. 🙂
The dress is made from stretch-needlecord and has a bagged lining done entirely by machine! I’m so pleased with myself for figuring out how to do it! 😀
I can pass this off as not being too big on me, partly because it’s a fitted style, and partly because the fabric is stiff so kind of holds itself up.
By coincidence there are three tees in #TheShire (like three rings). There are two circle tops too, but I’ll cover them separately because they’re so different.
The first one has a kimono sleeve at the front, but Dolman sleeve at the back (so that I could get the lace to look as I wanted). I blogged about the toile of this top here, so check that out for details!
The second tee is a bit more normal. The key things here are the embroidery and the lace sections. The embroidery (free-motion) says “The Shire” in Dwarven runes. 🙂 The jersey is sort of like a Broiderie Anglaise kind of jersey. It’s covered in tiny flower-shaped hole patterns.
The third tee is intentionally devoid of embellishment because it was always intended to go under a dress. But I wanted to give it the versatility to be worn over jeans too, so I gave it the lace asymmetric hem section. It’s a bit big on me, but only by a size or two.
And yes, I will be wearing any of my collection that I can when I get them back. 🙂
Well, it’s been a while since I posted anything here. I handed in on the 28th April, and we’ve had the photoshoots and finished our lookbooks, so now there’s graduation in September!
I’ve realised I’ve told you practically nothing about the concept. The geekier among you (hello! :D) may have suspected correctly that it is inspired by The Hobbit and LOTR. More The Hobbit because I’m still reading LOTR.
Originally I was going to advance the concept from my previous FMP at Bishop Burton College: Cut21, and include more natural inspiration. That developed visually towards woodlands and fantasy, which naturally falls towards The Hobbit and LOTR.
In the beginning, the initial designs were fairly literal and somewhat costumey and I had to make them more ‘fashiony’ (we use a lot of non-standard English in our class).
I experimented with so many techniques that could have made such beautiful garments. If I’d had time I could have made a hundred different things and I’ve have loved every one of them!
Following a piece of advice I received from a friend and mentor (ask “What can I do well, in the time I have?”) I kept my number of garments to a minimum. We had do to 6 outfits, so I made 12 garments. I wanted to include some jeans and jeans-type garments to tailor my portfolio towards Levi’s (where I work as stylist and tailor), so I made a few different cuts.
Another of my learning goals was to learn how to work with stretch fabrics. So I bought an overlocker (used) and learned to use it, and the other industrial equipment at college. Domestic overlockers do not compare to industrials, but they do the job and I can take mine with me when I move.
Another was to use the Assyst-Bullmer system, but technical issues prevented it when I needed it. I have been told I can go back and have a go with it though. (The tutors at York College are awesome.)
I wanted to work with leather too, so I made a dress out of it. 🙂
Following on from the Viking Dress toile, I made some changes to the pattern and commenced toile 4 (of the collection):
widened sleeves a bit (though evidently not enough)
took it in at the body
shortened to make it tee-length
added lace inserts
Looking at my illustrations, I can see that I forgot to add the asymmetrical hem. -_- Never mind; I needed practice with the coverstitch machine anyway (still do).
Also, I accidentally made it a size too small. This is because the size chart in Metric Pattern Cutting (which I Googled for quickness) does not agree with the dress forms at college. A size 10 dress form fits size 12 in the book, so when I made a size 10 according to the book, it was a size 8 according to the dress forms. Confusing? It can be. -_- So now it’s a nice fit on me, and a close fit on the dress form.
Seeing this now, I notice I forgot the top inner bar of the Celtic Knot. It could be neater and I regret marking the circle with a Sharpie (lol), but everyone seems to be impressed with it (and I’m my own worst critic).
I was looking at my store-bought t-shirts (I acquire them via uniforms) and the back necklines are faced or bound (not sure what to call it) to cover up the overlocking. I’m trying to figure out the best way to do this. So far, I cut a shape like this, press up 0.5cm on the lower edge and short ends, sew it on after the ribbing, and then edgestitch it down. It’s not perfect, but I’m getting there.
This was my first lay plan (not exactly zero-waste, but I cut the fabric too short, and this is a work in progress. I’m sure there’s a better way.
Realised I could cut the ribbing on the fold, so I could rearrange things to waste less fabric. I’m beginning to think kimono sleeves are not very economical.
The Whole Tee
The neckline ribbing actually sits nice and flat when I don’t have my shoulders raised. 🙂
(The colours in the first photo are truer to life). I like it. But, of course…
Changes to make
lower sleeves underseam by about 2-3cm
make the correct size
widen shoulder lace by 1-2cm
widen front lace to match shoulder lace
move back sleeve seam closer to CB
make asymmetrical hem
I’ll make these changes and toile again. The next top is slightly different. The lace is differently placed and there is different embroidery. It will have the wrong hem on the toile, but the actual one for the next tee is very simple so I don’t need to practise it. 🙂
I’m quite pleased with myself. I’d never made a t-shirt till this term, and almost never used an overlocker, but I think the quality on this is pretty good!
This is how the new pattern is looking so far:
I have a to-do list that is a spreadsheet. I might miss college.
As part of my most recent module at college, I started doing more free-motion work. I’d done some before, without a free-motion foot, but not very much. I think I decided to do it more here because the concept seemed to suggest embroidery and I was NOT going to do it by hand (too time-consuming for college). So I got a Bernina foot #24 and watched some videos on YouTube.
I found out that not only can you do absolutely beautiful embroidery by free-motion, but you can make lace! It took a few goes to get anything really good, but I soon picked it up.
Helpful sources on YouTube include:
There were some others too, but I can’t find them anymore.
There is also this fascinating ebook I found (please note I do not have the rights to this ebook, but I don’t know where I found it).